From Mill Floor to Moodboard: The History of Cotton Corduroy
Run a thumb across a corduroy sleeve and you feel the whole story of the fabric: rows of soft, raised ridges separated by narrow channels, as orderly as a plowed field. Few textiles are so instantly recognisable by touch alone, and few have lived as many lives.
Corduroy's ancestry stretches back to fustian, a family of sturdy cotton and linen cloths that took their name, it is often said, from Fustat, the medieval Egyptian trading city. Pile-woven cotton fabrics were being made in Europe by the late Middle Ages, but it was in eighteenth-century England that corduroy as we know it took shape. The mills around Manchester, then the beating heart of the cotton trade, produced a heavy, ribbed fustian that was cheap, hard-wearing and warm. It was nicknamed "poor man's velvet" for its resemblance to the more luxurious cut-pile cloth worn by the wealthy.
The name itself is a favorite piece of fabric folklore. Many a tailor has claimed that corduroy comes from the French corde du roi, "cloth of the king," supposedly worn by royal servants. The story is charming, but there is no real evidence for it, and etymologists consider it a later invention. A more probable explanation is simply that the word combines "cord," for the ribs, with "duroy," an old name for a coarse woolen cloth. What is certain is that the fabric found its first loyal customers not in palaces but in fields, factories and mines. Farmers, gardeners, railway workers and laborers valued it because it resisted abrasion, blocked the wind and held up through relentless washing.




















